Before the Paparazzi See Celebrity Portraits by Hollywood’s Original Photographers at the National

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Posted by admin | Posted in Burberry | Posted on 05-01-2012

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Beforetoday’s Internet-induced era of celebrity overexposure,wholesale Ed hardy sunglasses, paparazzi abundance, and tabloid proliferation, there was a time when film studioscontrolled the public’s perception of their actors and actresses through the use ofin-house portrait photographers. London’s National Portrait Gallery pays tributeto that period with “Glamour of the Gods: Hollywood Portraits,” an exhibition of 70 vintage photographsfrom 1920 to 1960, on view until October 23.

Most of the printscome from the archive of the John Kobal Foundation, founded by the eponymous collector who began tracking down the photographers behind the glossy images in the 1950s and ’60s, just as corporate takeovers of the big Hollywood studios began phasing out the promotional practice. He continued to collect the photos until his death in 1991.

“When he becameinterested in the men behind the images, almost all of them were still aliveand reachable,” said film and art critic John Russell Taylor about Kobal. “It was John who realized their importance, at a time when no one else gave adamn about them.”

Studios used tosend the commissioned portraits to fans and the media in efforts to spread wordabout the features. Eugene Roberts captured a 1929 black-and-white photographof Louise Brooks that elegantly resembles the era’s fashion illustrations. Other highlights of the exhibition include a 1950 portrait ofa hunky Marlon Brando used to promote “A Streetcar Named Desire,” and adisheveled Vivian Leigh in a 1939 shot from “Gone With the Wind.” Striking images of Elizabeth Taylor,Joan Collins, Grace Kelly, and Clark Gable are also on view.

Clickon the photo gallery at left to view images from “Glamour of the Gods:Hollywood Portraits.”

How to Steal Celebs’ Favorite Vintage Style - UsMagazine.com

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Posted by admin | Posted in Burberry | Posted on 07-12-2011

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Stars love vintage, but what I don’t like about vintage denim is that it never fits.

By Sasha Charnin Morrison for UsMagazine.com. To read more of the Recessionista blog, click here.

How to wear? It would look nice mixed with white, dark denim or red. Plus, it’s a nice switch from a moto jacket or anything edgy and rebellious.

Sized quite nicely from a 0 to a 20, this 100-percent cotton faded jacket is just great. Plus, it’s shrunken in all the right places and super-chic.

That is, until now. I just adore this $88 Gap denim blazer. It looks so fresh and nicely tailored but also has that vintage look.